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Showing posts with label Salman Khan. Show all posts
Showing posts with label Salman Khan. Show all posts

Monday, July 11, 2011

Salman should do Magadheera remake: Kajal

Kajal Aggarwal

<< Kajal Aggarwal

Kajal Aggarwal believes all her Telugu films have fabulous remake value and Salman Khan is the best choice for Magadheera's Hindi remake.

Kajal Aggarwal is an addition to the growing list of actresses, who are born and brought up in Mumbai, but have made a successful career in South Indian cinema. She will be seen opposite Ajay Devgn in the upcoming action flick Singham . In an exclusive conversation with Gaurav Malani , she speaks about both, Bollywood and South cinema and how she wants all of her Telugu films to be remade in Hindi.

Wasn't (Ash-Vivek starrer) Kyun Ho Gaya Na your debut film!
I did Kyun Ho Gaya Na when I was in the ninth grade! I was still a kid then. So I would consider Singham as my Hindi debut. At that time acting was never on my mind and education was a priority. I wanted to pursue MBA but I strongly believe in destiny, which I guess, had different plans for me.

magadheera 

Poster of Magadheera

After Telugu films, was Bollywood the next obvious step?
I never strategized my career as such. I never planned that I wanted to start in Hindi films after working in a certain number of Telugu films. I am lucky that things have been naturally falling into place so far.

Were Singham makers particularly looking for a South actress for this Tamil remake?
Not really! Rohit Shetty wanted a fresh face for the film but also with an acting background to her. They did not have time to teach anybody. When they saw my film Magadheera , which is a huge hit in South, they felt that I was perfect for the part in Singham .

Considering it's a male-dominated action flick, how much scope do you have?
There is also a sweet romantic story attached to Singham . Though I have a short role in Singham , it is an important part. I do not believe that the screen-space allotted to a character would define their acting ability. And I personally believe that even if the role is short, the impact that the character makes in that time is more important.

Ajay Devgn is known to be a prank-master. Did you fall prey of his jokes?
Ajay is a wonderful actor and pulled a prank on me on the first day itself. I was asked to scream for a scene and later I realized the camera wasn't rolling at all. But I think it was a nice way to break the ice.

What is that one thing you learnt from Ajay Devgn?
The ability to get into the character once the scene rolls and cut-off from it when the director says cut. The ease with which he does that is remarkable.

Which is a better film – the Hindi or the Tamil Singham ?
It is unfair to say that any version is better than the other. But I do think there have been changes made in the Hindi version which would suit the Hindi audience sensibilities. While the female lead (Anushka Shetty) in the original was a Tamil character, we have changed her into a Goan Maharashtrian in Hindi.

How comfortable were you with the Hindi language?
I am born and brought up in Mumbai, so Hindi and Marathi come very easily to me.
In that case how comfortable were you with Telugu language when you started in South?
Initially I had to work very hard over the language but now, after 4 years of experience, I am quite fluent with it. I am still learning Tamil though.

Would you want any of your South films to be remade in Bollywood?
All my films have fabulous remake value but I don't have a say in this. It's more of a director's call. But if you ask me, I would want all my South films to be remade in Hindi.

If Magadheera was to be remade in Hindi, which Bollywood hero can pull off the character?
The male lead in Magadheera has a lot of heroism in terms of his attitude and body language. Many Bollywood actors have the potential to play the lead in Magadheera . Choosing one is difficult but I guess Salman would suit the role best.

Post Singham what would be your focus – Hindi or Telugu cinema?
I would want to strike a balance. While my loyalties remain in South cinema, since I started out there, I would want to work in Hindi films as well.

Friday, July 8, 2011

Movie Review: Chillar Party is enjoyable

A motley group of kids. An endearing
canine companion. A waif busy washing
cars to earn a living. Middle-class families
who are insensitive to both human beings
and animals. Politicians acting in an inane
and obtuse manner. And kids who feel
they can take on the world. All the
ingredients necessary to create a
melodramatic potboiler have been sourced
and secured into the script. Is this one
more 'childrens' film with morals woven
into the script hoping to see the audience
in tears?
Thankfully no. Chillar Party may not be free
of the obligatory good versus evil theme
which persistently makes its way into this
genre (at least in Bollywood) yet it aims at
generating laughter, without punching
you in the gut.
Starting with the ubiquitous nicknames
sometimes provided by parents or colony
mates, Mumbai's [ Images ] Chandan Nagar
Society has its band of bratty boys named
as encyclopedia, secondhand, panvati etc.
The reason for these names could be as
varied as a personality trait to the family's
financial status. A white Pomeranian
owned by a cranky senior citizen turns
them into dog-haters for the rest of their
life. In this scenario enters Phatka, a skinny
lad with determination and attitude. Both
traits imperative for children who work on
the streets of Mumbai and survive by their
wits alone. His only companion and friend
in the entire world is Bhidu a lovable black
and white pariah.
Phatka survives largely on a diet of tea and
glucose biscuits and keeps to himself. He
sports a ragged yellow t-shirt, doesn't
crave for anything but he's devoted to his
pooch. The kids direct their anger on both
Phatka and Bhidu, but Phatka remains
resilient not wanting to give up this job --
his only means of survival.
Then the bratty middle-class kids realize
the extent of their nastiness and try hard
to make amends. But Phatka isn't a
pushover. Will he relent? Or is this
senseless feud likely to continue?
Our protagonist Phatka played by Irrfan
Khan [ Images ] doesn't have much to say
for himself. When he speaks it's 'tapori
language' picked up from watching the
latest movies. Even as one laughs at his
philosophies about life it's the expressive
brown eyes which speak volumes about
his anguish and loneliness. One sequence
when he fears his beloved pooch has
disappeared he breaks down but with
quiet restraint.
The rest of the brats are on the verge of
adolescence; where they're old enough to
question their parents, too young to rebel
openly. Pre-pubescent, their lives revolve
around cricket and not the opposite sex.
They're real (unlike the kids we've seen in
YRF and Dharma productions), they
grimace, they grumble, but they remain
kids.
The co-directors Nitesh Tiwari and Vikas
Bahl successfully recreate a poignant and
touching tale about the bonds children
forge among themselves, their casual
indifference towards school, parents and
academics and their ability to stay focused
when somebody they deeply care for has
become the casual victim of an adult's
manipulations.
The film has a few really fun moments,
especially when a chance remark such as
'Toh chadddi mein ghoomu kya' invokes a
'chaddi march' with a few hundred kids.
Or the shameless way they manipulate
their parents sans any qualms.
Many 'values' and 'morals' have been
woven into the script. Such as how people
employ child labour without batting an
eyelash. Or how there is no respite for a
daily wage earner even when he's
shivering with fever. Although it could
have been handled in a subtler fashion, but
it forms an integral part of the film.
If the screenplay suffers it is due to the so-
called climax (is any kiddie film complete
without it) which seems foisted. The
children morph into young adults abruptly.
As they mouth dialogues which don't seem
to come from their heart, they lose their
charm which is what attracted us to them
in the first place. The politician and his
goon don't just appear absurd to a child,
they are bizarre villainous caricatures who
ideally should have induced fear but they
turn into mere irritants.
Chillar Party is an enjoyable film with plenty
of laughs. Do watch this, unless of course
you hate kids.

Sunday, June 26, 2011

IIFA AwardS 2011 Winners


salman in dabangg

Salman Khan's blockbuster Dabangg has bagged a slew of awards at the ongoing IIFA Awards in Toronto. Along with Best Film, Dabangg won Sonu Sood's best performance in a negative role, to Sonakshi Sinha's best debut, the film has also won Abhinav Kashyap and Dilip Shukla the best screenplay award.

But the film didn't win Salman his best actor award. Instead, Shah Rukh Khan was presented the award for best actor for his role in Karan Johar's My Name Is Khan. The film also brought home the best director award for Karan Johar.

A pleasant surprise was Anushka Sharma winning in the best actress category for Band Baaja Baaraat.
Mamta Sharma won the Floriana IIFA Award for best playback female singer for her song Munni badnam hui... from Dabangg.

"I love you so much...Lalitji I love you so much...Shah Rukh I love you much... Toronto I love you so much,'' said Mamta Sharma, as Arshad Warsi announced the award at the show co-hosted by Boman Irani, Ritesh Deshmukh and Shah Rukh Khan.

The award for the best playback song went to Rahat Fateh Ali Khan for Tere mast mast do nain... from Dabanng.

For music direction, the award went to Sajid-Wajid and Lalit Pandit for Dabangg.

For lyrics, the IIFA award went to Niranjan Iyengar for Sajda.. and Noor-e-Khuda.. in My Name is Khan. The award was accepted by Karan Johar on his behalf.

My Name Is Khan also bagged the Best Story Award for Shivani Bhatija.

The complete list is as below:

  • Best Film: Dabangg
  • Best Actor (Female): Anushka Sharma, Band Baaja Baaraat
  • Best Actor (Male): shah Rukh Khan, My Name Is Khan
  • Best Director: Karan Johar, My Name Is Khan
  • Best Actor In A Comic Role: Riteish Deshmukh, Housefull
  • Best Performance In A Supporting Role (Male): Arjun Rampal, Raajneeti
  • Best Performance In A Supporting Role (Female): Prachi Desai, Once Upon A Time In Mumbaai
  • Best Performance In A Negative Role: Sonu Sood, Dabangg
  • Achievement In International Cinema: Irrfan Khan
  • Best Debut (Female): Sonakshi Sinha, Dabangg
  • Best Debut (Male): Ranveer Singh, Band Baaja Baaraat
  • Hottest Pair 2011: Anushka Sharma and Ranveer Singh
  • Outstanding Achievemnet in Indian Cinema: Sharmila Tagore
  • Best Screenplay Award: Abhinav Kashyap, Dilip Shukla, Dabangg
  • Best Playback Singer (Female): Mamta Sharma, Munni Badnaam Hui (Dabangg)
  • Best Playback Song: Rahat Fateh Ali Khan Tere Mast Mast Do Nain (Dabangg)
  • Best Music Direction: Sajid-Wajid, Lalit Pandit, Dabangg
  • Best Lyrics: Niranjan Iyengar, Sajda and Noor-e-Khuda (My Name is Khan)
  • Best Story Award: Shivani Bhatija, My Name is Khan
  • Best Costume Designing: Niharika Khan, Band Baaja Baaraat
  • Best Action: S Vijayan, Dabangg
  • Best Makeup: Banu (For Rajinikanth), Robot
  • Best Background Score: Shankar, Ehsaan, Loy, My Name Is Khan
  • Best Song Recording: Vijay Dayal, Ainvayi Ainvayi (Band Baaja Baaraat)
  • Best Choreography Award: Farah Khan, Munni Badnaam (Dabangg)
  • Best Editing: Namrata Rao, Band Baaja Baaraat
  • Best Sound Recording: Pritam Das, Love, Sex Aur Dhokha
  • Best Sound Re-recording: Leslie Fernandes, Dabangg
  • Best Cinematography: Sudeep Chatterjee, Guzaarish
  • Best Art Direction: Sabu Cyril, Robot
  • Best Special Effects: Indian Artists, Robot

Saturday, June 25, 2011

Dabangg Bags Nine IIFA Awards

Dabangg bags nine IIFA awards

Salman Khan blockbuster Dabangg has bagged nine awards at the ongoing IIFA Awards in Toronto. From Sonu Sood's best performance in a negative role, to Sonakshi Sinha's best debut, the film has also won Abhinav Kashyap and Dilip Shukla the best screenplay award.

Mamta Sharma won the Floriana IIFA Award for best playback female singer for her song Munni badnam hui... from Dabangg at the 12th International Indian Film Academy Awards in Toronto (June 25).

"I love you so much...Lalitji I love you so much...Shah Rukh I love you much... Toronto I love you so much,'' said Mamta Sharma, as Arshad Warsi announced the award at the show co-hosted by Boman Irani, Ritesh Deshmukh and Shah Rukh Khan.
The award for the best playback song went to Rahat Fateh Ali Khan for Tere mast mast do nain... from Dabanng.
For music direction, the award went to Sajid-Wajid and Lalit Pandit for Dabangg.

For lyrics, the IIFA award went to Niranjan Iyengar for Sajda.. and Noor-e-Khuda.. in My Name is Khan. The award was accepted by Karan Johar on his behalf.
My Name Is Khan also bagged the Best Story Award for Shivani Bhatija.

Other winners at the IIFA are:

•    Best Costume Designing - Niharika Khan - Band Baaja Baaraat
•    Best Action - S. Vijayan - Dabangg
•    Best Makeup - Banu (For Rajnikant) - Robot
•    Best Background Score - Shankar, Ehsaan, Loy - My Name Is Khan
•    Best Song Recording - Vijay Dayal and Ainvayi Ainvayi - Band Baaja Baaraat
•    Best Choreography Award - Farah Khan - Munni Badnam for Dabangg
•    Best Editing - Namrata Rao - Band Baaja Baaraat
•    Best Sound Recording - Pritam Das - Love, Sex Aur Dhokha
•    Best Sound Re-recording - Leslie Fernandes - Dabangg
•    Best Cinematography - Sudeep Chatterjee - Guzaarish
•    Best Art Direction - Sabu Cyril - Robot
•    Best Special Effects -Indian Artists - Robot

Friday, June 17, 2011

Aishwarya Rai Bachchan will have to face Salman Khan soon

Aishwarya Rai Bachchan and Salman Khan

Aishwarya Rai Bachchan and Salman Khan

The industry is anxiously waiting to see if Aishwarya Rai Bachchan and Salman Khan will come face to face.

The two are likely to attend the extravagant wedding of Mallika Reddy, daughter of socialites Pinky and Sanjay Reddy on June 10. Since Ash is invited for the marriage, the buzz is that she is likely to fly down to Hyderabad.

And Salman, who is very close to the Reddys', also plans to visit Hyderabad for the wedding. Ash has, so far, carefully avoided facing Salman to avoid nasty moments. Now, the two will inevitably come face to face and the whole of B- town is waiting to see what the outcome will be.